The light, life and plots of the contemporary working class, of Mumbai, is explored and celebrated by the writer Payal Kapadia, who won the first prize at the Cannes Film Festival this year for her debut debut. In the middle of two roommates who also work together with the nurse of the hospital of the city -Glava Prabha (Kani Kusruti) and the recent Rental of Ana (Divya Prabha) -Push their associate, Cook Parvaty (Chhaya Kadam), the Cappadia film in moments of connection and heart, hope and delicate Prabha, her husband of a decorated wedding who lives in a big German, doctor in his hospital; Anna brings a love story with a Muslim, which must be kept secret by her rigid Hindu family; Parvaty finds himself managing a sudden emigration from his apartment. Kapadia records the healing of the metropolis and the peace of the open air of the marine village with equal glow, articulated by its best actresses and a camera with lyrical naturalism that occasionally enters the dream in the air. Everything we imagine how a light is a mental study of the transformative power of friendship and nursing, in all its complexities and wealth.
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